Orel, Russia 1886 - Paris 1962
Projection dynamique au 30° degré
Dynamic Projection at Thirty Degrees
1950-1951, cast after 1960
Dimensions (HxWxD): 37 1⁄8 x 74 1⁄4 x 36; base: 5 3⁄4 x 41 3⁄8 in diameter
signed and inscribed: Pevsner 3/3 Susse Fondeur Paris
Acc. No.: 1983.A.04
Credit Line: Raymond and Patsy Nasher Collection, Dallas, Texas
Photo credit: David Heald / Nasher Sculpture Center, Dallas
- Paris, Alix de Rothschild
- Paris, Galerie Natalie Seroussi
- Basel, Galerie Beyeler
- 1983, Dallas, Texas, Raymond and Patsy Nasher Collection
- 2003 Nash, Giménez and Brenson
Steven A. Nash, Carmen Giménez, Michael Brenson, A Century of Sculpture: The Nasher Collection, Dallas, The Nasher Foundation, 2003 (first published in 1997, expanded and republished in 2003 by The Nasher Foundation on the occasion of the inauguration in October 2003 of the Nasher Sculpture Center), p. 218-219, repr., 365
- Museum's website:
A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art, April 5 - May 31, 1987.
1997 New York
A Century of Sculpture: The Nasher Collection, Solomon R. Guggenheim Museum, New York, February 6 - June 1, 1997. Exhibition catalogue.
2003 Passariano di Codroipo
Kandinsky and the Quest for Abstraction, Passarioano di Codroipo, Villa Manin, Italy, organized by the Peggy Guggenheim Collection, Venice, March 29 - July 27, 2003. Exhibition catalogue.
Twentieth Century Sculpture, Foro Boario, Modena, organized by the Peggy Guggenheim Collection, Venice, and the Fondazione Cassa di Risparmio of Modeno, November 29, 2003 - March 7, 2004. Exhibition catalogue.
Bodies Past and Present: The Figurative Tradition in the Nasher Collection, Nasher Sculpture Center, Dallas, November 7, 2005 - Indefinite
- Museum's website:
The original bronze version of the sculpture is now in the Musée National d'Art Moderne, Paris (gift of Mme Pevsner; included in Pevsner retrospective, Musée National d'Art Moderne, Paris, 1957, cat. no. 49).
Two other bronze casts exist: at the Caracas University Center, in Venezuela, and the Baltimore Museum of Art (casts number one and two, respectively). It is known that the second cast was made by the Susse foundry, Paris, in 1960 (information provided by Brenda Richardson, Baltimore Museum of Art), so the third cast, also by Susse, must have been made between 1960 and the time of the addendum (date unknown) to Carola Giedion-Welcker's Pevsner monograph of 1961, in which it is listed.